Thursday, 31 October 2024
At LSG, I want to create a winning atmosphere: Pooran
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IND vs NZ: Pride on line for battered Team India at Wankhede
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Wednesday, 30 October 2024
KL Rahul back in auction pool, suspense around Pant, Iyer
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Stokes says his home was burgled while he was in Pakistan
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IPL Player Retention Live Updates: IPL teams set to submit lists
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Tuesday, 29 October 2024
Pooran becomes first LSG retention for IPL 2025: Report
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Is it last time together at home for Ashwin, Virat, Rohit, Jadeja?
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'Hodgepodge in Pakistan cricket': Ex-cricketer slams PCB
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Dhoni's helicopter, Jadeja's sword! Have CSK announced retained players?
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Monday, 28 October 2024
17,000-Year-Old DNA of Ice Age Infant Reveals Dark Skin, Blue Eyes
A 17,000-year-old infant skeleton, found in Italy's Grotta delle Mura cave, is providing new insights into human populations during the Ice Age. Discovered in 1998, the remains were recently analyzed for DNA, allowing scientists to reconstruct aspects of the infant's appearance, ancestry, and health. The DNA results suggest that the child likely had dark skin, blue eyes, and curly hair—a combination found in other ancient European hunter-gatherers. The genetic profile connects the infant to an ancient population known as the Villabruna cluster, which lived in Europe after the Last Glacial Maximum.
This group represents an early lineage of modern Europeans, suggesting that the boy's community may have been among the earliest ancestors of later European populations.
Inherited Heart Condition Revealed
The DNA analysis also indicates that the infant may have had a genetic heart condition called hypertrophic cardiomyopathy, which causes the heart muscle to thicken. In infants, this condition can lead to congestive heart failure. This potentially explains the boy's early death at an age between seven months and one and a half years.
Teeth Analysis Reflects Health and Stress
Examination of the infant's teeth provided clues about his brief life and his mother's health. Multiple growth lines on the teeth suggest that both mother and child may have faced physiological stress, likely from malnutrition or illness, during and shortly after pregnancy. Further analysis showed that the mother remained close to her community during pregnancy, likely indicating a localized lifestyle within the Puglia region.
Preservation and Genetic Study
The child's remains was preserved in the cool environment of Grotta delle Mura. This allowed scientists to recover around 75 percent of his genome. Preservation of ancient remains in warm climates is rare, making this genetic information particularly valuable for studying early human populations.
Implications for Understanding Ice Age Populations
This research sheds light on the adaptation and migration of ancient human populations during a period of significant environmental change. Through genetic insights into the child's traits and health, scientists can better understand the lives of early Europeans and their responses to Ice Age conditions.
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Sunday, 27 October 2024
Fakhar Zaman dropped over social media comments: PCB chairman
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Afghanistan A crowned Emerging Teams Asia Cup champions
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Australia announce T20I squad against Pakistan
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Saturday, 26 October 2024
'We've fired a shot at Team India': New Zealand captain
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El Clasico: Barcelona shred Real Madrid 4-0 in La Liga
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El Clasico Live: Playing XI announced for El Clasico
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Friday, 25 October 2024
Do Patti Review: Netflix’s Meatless Thriller About Domestic Violence Falters Despite Brilliant Performances
We have all at some point encountered the kind of duplicitous men who would shamelessly beat their wives, catcall every possible female, exert their dominance, and yet call themselves feminists who “respect women.” They won't even deny their preposterous acts and would either blame the victim for triggering them or make fun of their hopelessness. These men, whose actions are often overcompensating for their own inadequacies and dysfunctions, can unfortunately be found in every stratum of society.
Netflix's latest original film Do Patti, brings to us one such man in Dhruv Sood (Shaheer Sheikh) from a small hill town, who regularly beats his traumatised wife Saumya (Kriti Sanon). The film begins with a paraglide gone wrong, as the couple hang in the air for their lives from their glider. Saumya, who thinks her husband has sabotaged her harness, begs for her life. Upon being rescued, Saumya tells inspector Vidya Jyothi (Kajol) that her husband tried to murder her, and we are taken to a flashback sequence of three months ago, when the two first met.
Saumya is introduced as an anxious introvert, who has been in severe depression since her parents died. Now living with an alcoholic caretaker, she is quietly suffering from several phobias and traumas. She also has a tumultuous relationship with her twin sister Shailee, who was sent off to a hostel because of her abusive behaviour towards Saumya, only to return in time to interfere with her love life.
A major flaw that holds Do Patti back is the incoherent plot and its fluctuating tone. Some of the scenes are intense and leave a lasting impact; others are merely fillers that don't add anything meaningful to the story. A thriller is supposed to constantly keep viewers on their toes and carefully set up the pieces before pulling the rug. Do Patti, however, isn't able to maintain that iron grip on its plot.
The film, for instance, wastes a lot of time in establishing Kajol's character. She plays an idealist cop who talks in Bollywood's stereotypical idea of what a hinterland accent is supposed to be — it's neither Hindi nor Haryanvi or Bhojpuri. Can we please stop with the lazy sub-altern caricature already?
At one point, it begins to feel that the writers were so starstruck by Kajol that they forgot to add any meat to her role and hoped she'd carry the character with her natural charisma. Kajol's Vidya Jyothi, who goes by “VJ”, is goofy, close to her popular roles in romantic comedies, instead being a serious cop. While Kajol has tried her best to deliver with whatever little she was given, the blame lies with the writers for underutilising a refined actor like her. If you aren't her fan, her story arc will feel stretched thing on several occasions.
Another area where the film falters is its stereotypical and regressive representation of its female characters. Sanon's twin sister is shown as a loose woman, who drinks, has short hair, wears seductive outfits, goes clubbing and flirts with men. Why are we still sticking to these idiotic tropes in 2024 and feeding the patriarchal beast. Shailee is painted with a singular brush, and there are no other shades to her character. She is supposed to be villainous and scheming, so of course she's not in line with what our “culture” deems righteous. Or is it so that she's automatically labelled evil just because she drinks or likes to dress up? While Saumya's extremely introverted behaviour can be attributed to her trauma, the film could have — and in fact, should have — avoided Shailee's version from the witchcraft era.
Despite its flaws, the film does a fine job in its representation of patriarchy, violence against women, childhood trauma and its deep-seated impact. In a disturbing scene from the film, we see Dhruv brutally beating Saumya. He pulls her hair, kicks her in the guts mercilessly, rolls her like a football, throws her over the stairs and leaves her blood-soaked on the floor. In the end, he candidly throws away the typical “why did you trigger my anger” statement.
The entire sequence is well-performed and boils your blood to the extent where you'd feel like entering the screen and punching Sheikh's character. While it's disturbing and can be triggering for victims of abuse, it is also one of the most powerful scenes in the film. It not only shows the brutality of domestic violence against women but also the sick and twisted psyches of monsters who perpetrate abuse.
The film also boasts some amazing performances, especially by Sanon and Sheikh. Sanon has done a brilliant job at playing dual roles and is equally convincing in both of them. Her characters have been carefully written, infused with the smallest aspects of the human behaviour in consideration. There is a scene where Saumya is pushed into paragliding for the first time, despite having severe acrophobia, and midway through the activity, she gets teary-eyed thinking of her dead mother. It is such a moving representation of how the grief one might be carrying can subconsciously erupt with even the slightest push, reminding us that it was waiting beneath the surface all this while. While the National award-winning actor has given a few impressive performances earlier as well, especially in Mimi, she has outdone herself in this Netflix original.
The way Do Patti handles and portrays the themes of childhood trauma, sibling rivalries, domestic violence, abuse, and the objectification of women is quite impressive. It intimately explores even the smallest details of these difficult themes, complemented by brilliant performances. However, brilliance comes in patches. If only the film had better pacing or constant momentum throughout its runtime — and avoided harmful stereotypes — it would have done justice to the important issues it attempts to explore. Films dealing with such sensitive themes need to be more captivating to appeal to a larger audience. Do Patti handles its subject matter in impressive ways — it has its intentions in the right place. But it struggles to establish itself as a good thriller.
Rating: 6.5/10
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Emerging Teams Asia Cup: Afghanistan A power past India A
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Thursday, 24 October 2024
'Former players are paid ... ': Pakistan coach
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Warner's ban lifted 6 years after ball-tampering scandal
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Lionel Messi earns more than entire squads of 22 MLS teams
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Wednesday, 23 October 2024
Watch: Pak reporter confuses Stokes with broken English
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IND vs NZ Live: India aim to bounce back in 2nd Test
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Emerging Asia Cup: India A set up semi-final with Afghanistan A
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Tuesday, 22 October 2024
Watch: 'Kohli ko bolna...' - Rohit caught off-guard in viral video
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'Dangal made Rs 2,000 cr but my family only got...': Babita Phogat
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India's squad for Australia tour likely on Oct 28, Pujara in the fray
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Monday, 21 October 2024
'Epic': Williamson reacts to NZ teams secure historic wins
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Rasikh, Abhishek shine in India A's 7-wicket win vs UAE
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Sunday, 20 October 2024
1st ODI: Sri Lanka beat West Indies in rain-affected match
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'Tactically not his greatest...': Rohit Sharma's tactics questioned
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New Zealand clinch maiden Women's T20 World Cup title
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Pravin Amre parts ways with Delhi Capitals?
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Saturday, 19 October 2024
Watch: Novak Djokovic expresses gratitude to Rafael Nadal
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Live: Eyes on Bengaluru weather as India aim to defend 107 against NZ
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India A eke out a narrow 7-run win over Pakistan A
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Friday, 18 October 2024
'Yaar ghatia soch khatam karo': Pak pacer Amir to Babar critics
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India vs NZ Live, 1st Test: India resume fightback on Day 4
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The Pradeeps of Pittsburgh Review: Prime Video's Indian Immigrant Comedy Plays on Familiar Stereotypes
Whether it's cinema, television, standup performances, or the millions of memes plaguing the Internet, the stereotypical Indian family has always been an object of ridicule. The moms are too controlling, food is uncontrollably spicy, curfews are annoying, privacy is obsolete, academic excellence flows through generations, and well... the list is too long to summarise here. But if you want a catalogue of these, Prime Video might have just what you're looking for. Its latest series, The Pradeeps of Pittsburgh, is an unhinged compilation of these comical familial laws that Indians supposedly stick to and gives an unabashed 228-minute-long commentary on the same.
The eight-episode-long series follows a typical Indian family, The Pradeeps, who have moved to Pittsburgh in the United States –– the land of opportunities, as they call it. The family is headed by Mahesh, the optimistic engineer father who made everyone move across the planet for a SpaceX contract, and Sudha, the brain-surgeon mother who's having a hard time getting her medical license in the strict-on-rules new land. The kids include teenager Bhanu, the eldest daughter who is desperate to fit in the new culture; Kamal, an introverted and shy young man with a bunch of phobias; and Vinod, an optimistic junior high schooler who views the world through his rose-tinted glasses and stays positive even when being bullied.
This, however, isn't merely a story of an Indian family having a tough time adjusting to a foreign land. The Pradeeps are also the prime suspects in an ongoing investigation over a mysterious crime involving their Christian neighbours –– revealed later in the show. Now under the scanner of immigration services, the family is being interrogated over the serious crime, with a possible risk of deportation looming.
The entire series is a sequence of flashback narratives with the two officers in charge trying to break these tough nuts into confessing. The Pradeeps are confronted in groups, trios, couples, and even in isolation, but the brown family couldn't be more disinterested, let alone be intimidated, by the colourful investigative tactics.
The show is driven by the nonchalance of its characters and their wildly different perspectives for every incident. While Sudha might recall a snowstorm causing their car to slide in slow motion before bursting into flames –– “We Indians like to add a little masala to our stories” is how she'd justify the exaggeration –– Mahesh would describe the same day as a positive one that brought a fresh start to their lives. The oscillating narratives extend to the neighbours as well, who have their own twisted versions, adding to the confusion.
Every version seems to be the revelatory truth until the next person drops in with a totally opposite version. The show even attempts to portray the humorous similarities between Indian mothers and religious Christian mothers at one point.
The episodes are short, crisply written, and transition effortlessly. The overall tone stays light and humorous. Even when dealing with grave themes like racism, the show doesn't turn serious at any point. Pradeeps of Pittsburgh chugs along like a mindless high-school drama where the protagonists haven't yet met the harsher realities of life.
The show, however, comes with a string of overly used stereotypes and controversial dialogues and analogies that might offend a certain people. For instance, in one scene, Bhanu describes India as a “supermodel with diarrhoea”. Her explanation? Well, the country is beautiful to look at but doesn't offer much to a female teenager because of societal restrictions and curfews. In another scene, we see a disabled white kid mocking a 500 rupee note and calling Gandhi an anorexic Charlie Brown. There are also references to a shy Indian boy getting aroused after brushing past a cow udder. No wonder the series isn't being aggressively publicised in India.
While a little harmless humour doesn't hurt, when a show is premiering globally, it comes with the responsibility of balancing representation to some extent. While I am not exactly calling for a monochromatic picture with just the nation's achievements, or a singularly patriotic narrative that paints the country as the greatest on the planet –– let's leave that to our supremely talented politicians –– a little more sensitivity could have gone a long way. I don't want to dig up the debate about art and cinema influencing the audience's perspective, but for viewers who have never visited India, these representations can build a certain narrative. As someone who lives in the country in question, I can assure you we don't get ready in glittery sarees and sherwanis just to go out for a plate of panipuri, as the Pradeeps might have you believe.
The Pradeeps of Pittsburgh isn't the first American show to opt for this ill-informed portrayal. The Big Bang Theory, perhaps one of the most popular sitcoms of its time, resorted to certain harmful stereotypes about Indians, too. Raj, one of the main characters in the show, couldn't speak to women, relied on his father for his expenses, and sought to control his sister's love life –– justifying his actions with ancient scriptures that declare women as a property of her father or brother. All this despite being a gifted astrophysicist and a man of science. It's time we left these stereotypical representations in the last century, where they belong, and opt for a more realistic portrayal.
The Pradeeps of Pittsburgh, however, works as light-hearted comedy about the familiar troubles of the Indian diaspora in the US –– nothing more. The show is full of brain-rotting and superficial jokes around sex, religion, parenting, and everything brown, and while some stereotypes are exaggerated beyond reason, an Indian audience will easily find moments of relatability. But if you're easily offended, or often finds yourself engaged in heated arguments on Twitter (yes, we know it's called X now) with strangers, and have a keen interest in cancel culture, you should probably skip this one. That being said, I love my nation dearly. Please don't cancel me for recommending this series.
Rating: 6/10
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NZ edge WI to set up Women's T20 World Cup final clash against SA
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Thursday, 17 October 2024
Six Kings Slam: Nadal defeated by 'animal' Alcaraz
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'Aaqib bhai, Pakistan ko kya ho gaya?' Gautam Gambhir asked
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India vs NZ Live: India look to throw a few punches on Day 3
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South Africa stun mighty Australia to enter Women's T20 WC final
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Wednesday, 16 October 2024
England's Duckett shares how he learned after facing Ashwin
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'Usko akal nahi hai': Haris rebuked for 'ban on India talks' comment
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Tuesday, 15 October 2024
Sachin Tendulkar enjoys a day with friends from Pakistan - See pic
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India vs NZ Live: Teams hope for a 'dry' start to Test series
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Windies down England to make Women's T20 WC semis
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'Kamran Ghulam has got a bit of Steve Smith about him': Nasser Hussain
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Monday, 14 October 2024
Hockey India League Players' Auction: Full squad list of men's teams
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